Archive
The exhibition, entitled “open-end”, is curated by Caroline Bourgeois in collaboration with Marlene Dumas. It brings together over 100 works and focuses on her whole pictorial production, with a selection of paintings and drawings created between 1984 and today, including unseen works made in the last few years. Presented over the two floors of Palazzo Grassi, the works exhibited come from the Pinault Collection, as well as from international museum.
‘Claire Tabouret: I am spacious, singing flesh’ presents a new critical reading of key dimensions of the Los Angeles-based French artist’s work in a remarkable survey exhibition curated by Kathryn Weir that explores multiple transformations: of self, other, collective identities, struggle, release, refuge.
A powerful and unexpected dialogue is created with a number of vernacular devotional objects drawn from archaeological and liturgical collections in Italy, invoking an ambivalent threshold in Tabouret’s practice, a portal into multiple temporalities and subjectivities through which to consider alternative relationships amongst human beings, and between human beings and their environment, in the face of ecological and social crises and in communication with the supernatural.
Stanley Whitney will open an exhibition at Palazzo Tiepolo Passi, presented by the Buffalo AKG Art Museum . Co-curated by Cathleen Chaffee, Chief Curator, Buffalo AKG Art Museum, and Vincenzo de Bellis, Curator and Associate Director of Programs, Visual Arts, Walker Art Center, Minneapolis, Minnesota.
Curated by Grazina Subelyte, Associate Curator, Peggy Guggenheim Collectio Surrealism and Magic: Enchanted Modernity is a joint exhibition project between the Peggy Guggenheim Collection and the Museum Barberini.
It is the first large-scale international loan exhibition that looks at the movement’s interest in magic and the occult. Presenting about 60 works, in the Venetian venue, from over 40 international museums and private collections.
The Louise Nevelson Foundation presents a landmark exhibition curated by Dr. Julia Bryan-Wilson in the historic rooms of the Procuratie Vecchie. Marking the 60th anniversary of Nevelson’s representation of the United States in Venice, this Official Collateral Event celebrates the artist’s pioneering career.
Curated by Elizabeta Betinski and Neville Wakefield, Albuquerque’sLiquid Lightis a multidimensional experience thatfeatures theworld premiereof Albuquerque’s new film by the same name, exhibited in harmony with the artist’ssignature installation gestures that have earned her a celebrated place in theLight and Space and Land Art movements,both nationally and abroad.
The exhibition is the first and most important tribute to her career, with over 200 photographs. Curated by Virginie Chardin, the retrospective is sponsored by the Fondazione di Venezia, realized by Marsilio Arte in collaboration with the Berggruen Institute.
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